The varied trajectories of Bengali cabaret/bar dancers who ferried themselves between the two cities of Mumbai and Kolkata in search of livelihood and shelter since the last decades of the 20th century are mapped. Taking Kolkata as the epicentre of research, the author proposes to trace the eviction drive of the city’s erotic dancers ascribing their large-scale exodus to the cultural crusade waged by the progressive state that forced out many poor and labouring dancers, calling them out as visceral symbols of apasanskriti or pervert culture.
