This paper examines the popular Marathi literary works that are centred on the devadasi practice prevalent in Maharashtra and looks at its day to day practice. In contrast to the devadasis attached to the temple, those from the lower castes, especially the dalits, neither have any right in the temple nor do they have any space to pursue artistic skills. The pattern involving these women who operate in the hierarchical division of labour within the village, as determined by caste, in continuities and discontinuities with those selling sexual labour in urban brothels is also explored in the analysis.
