The role of social and cultural capital in reproducing caste hierarchies and shaping the capabilities and functioning of different caste groups in percussion arts in Kerala is examined. The macro-sociological framework of Pierre Bourdieu and the individual-centric capabilities approach of Amartya Sen is integrated, for this inquiry. Emphasising the artists’ lived experiences of caste discrimination in the field of performing arts, the interviews elaborate upon the role of caste status in maintaining power and domination of the “upper”-caste artists. This adversely affects the opportunities for performance, recognition in the field, upward economic mobility and even the expression of dissent for the artists from the historically marginalised castes.