ISSN (Print) - 0012-9976 | ISSN (Online) - 2349-8846

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Trolley Times

The representation of the issues related to the farmers’ protest in India in a newsletter—Trolley Times—is analysed. The newsletter emerged from the protest ground in response to the false reporting by the mainstream media, which questioned the identity of the protesting farmers and tried to malign the protest. Since its launch on 18 December 2020, a group of farmers, with crowd contribution, managed to publish 22 editions of the newsletter to counter the mainstream media narrative.

Modernity with a Brand

The takeover of NDTV by the Adani Group points to the lack of regulatory mechanisms regarding media ownership in India. It illustrates that Indian media is rapidly heading towards media concentration. The takeover is a disconcerting marker of the growing infl uence of top business conglomerates on news media for their commercial gains and to serve their political patrons. Equally problematic are the trends of news, media organisations, and journalists turning into brands in the open market. These developments have posed a serious threat to the freedom of speech, a basic feature of modern democracy. Bhupen

They Who Know Not What The Media Is

Many in India are lamenting the hostile takeover of NDTV by the Adani Group. At one level, this is a desperate attempt to silence the voices that stand out as independent in today’s increasingly controlled media space. But what really will be gained by one more channel singing the official tune? It, of course, controls criticism of the government, but it will also signal that the future of the media may not be in large enterprises that give in or get taken down rather easily.

 

Popular Culture and Caste: The Three Indias

Mainstream media content in India tends to reflect the dominant character of the people who own, work in and consume it, and either by default or design tend to invisiblise the sizeable number of Dalit, minority, Other backward castes and indigenous population who together make the overwhelming numerical majority in the country. These sections do figure in the media but are stereotypically depicted as poor, as victims, villains, ugly, etc. However, the marginalised sections constitute a large and diverse group which in recent years has found its voice in the aftermath of traumatic experiences like the institutional murder of Rohith Vemula. The advent of social media, falling prices of smartphones and data also disrupted the gatekeeping of content by traditional media houses and enabled the Dalits and OBC young people to access technology and access audiences which consumed content – music, news, entertainment – to which mainstream media did not cater, thus democratising access to media and lowering thresholds and bringing fresh talent to create content and give voice to a large but invisiblised marginalised audience.

Artists and Critical Presence: Beyond Dalit as a Representation

The article attempts to examine the idea of critical presence in opposition to representational realm by examining the presence of two Dalit actors from Malayalam film industry: (the late) Kalabhavan Mani and Vinayakan, in Indian media. Instead of focusing on their characters and films, this article seeks to explore the possibilities opened up by these actors through their critical presence in the industry though they differ in their approach.

The Central Media Accreditation Guidelines, 2022

Asserting control on journalists is aimed at fostering a pliant press and diminishing accountability.

 

A Crisis of Identity

Current media reportage of sexual assault cases in India not only violates journalistic norms but also gravely impacts the victim’s right to privacy. Against the backdrop of the Kathua gang rape and the #MeToo movement, this paper argues that the law surrounding the identification of sexual assault victims must be amended to help better secure justice for victims, while also ensuring that their dignity is safeguarded. Adult victims ought to be granted statutory agency to speak out regarding instances of sexual violence they have faced although separate guidelines are required for the reporting of child sexual assault. Additionally, the ethical guidelines governing media reportage of sexual violence must be revisited. With respect to #MeToo, while media houses should report accusations, they are also required to ensure that pronouncements of guilt are not being made

Charisma Through Communication: Comparing Modi's Media Strategy to Nehru and Indira

This paper looks at how Jawaharlal Nehru and Indira Gandhi used traditional media–radio and print–and their communication styles. It then goes on to examine Narendra Modi’s use of media and his ways of communication, drawing comparisons with the Congress when it was dominant. The paper concludes by arguing that though there are certain continuities in the use of mass media in the two eras, the changes are equally significant.

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